Déjà vu.
the rain. everywhere the rain. on the window of the waiting room, condensed.
the glass,
the wetness, the sad brilliance of muted blue. broken footsteps dismember
the torpid
oneirophrency. shafts of swirling projection bring the damp rumble of steel
wheels on
cracked rails and refract the constancy of imminence with clattering reproach.
the rain
melts echo, absorbs blasphemy and refracts the spasms of sorrow into glops of
prayed
containment. these frozen moments relinquish mists of tepid steam at the
reeking
dawnbreaks
flimsy glimmer. in winter, even before, after, knowledge is useless.
the train
sweeps through a funnel of night. the light, the smoke, the brown carriage, the
call; the
queen boadicea, the miserable cow staring, the chicken burger suicide, the
light,
the light
is mushroom, the smoke white, hanging. dismal. stop. the abandoned bicycle by
the
pristine phone box.
hard and
fast the boyfriend drags the car, the chick, the strapping kiss into reverse
and
up the rural
strip tips the lovers over a hump and into oblivion or paradise. it’s hard
to tell
what’s out there, in this (noah’s) light. the bicycle, trusting, stands in a
state of
reflected
deference by a puddle still buzzing, ripple-ridden and star pocked from the car
flung
pebble shot, now clamped in the wet embrace of the puddles bellowed belly. the
bike,
inhaled and sceptered, wades in wait, for the puddle, vacuous, to discharge her
latent
image through wind or frost or footstep. disgorged and scattered by the hobnailed
guardian of
the line, the soul of the puddle parts with her flickering spirit from deep
within the
minor dream of the hanging clouds’ dark imprecation. remembering dreams,
memories
echo becomes memory again. rain dream, rain. Déjà vu. doing gods will.
forget it. forget it. forget. forget what? forget me, how, what’s to remember?
forget it. forget it. forget. forget what? forget me, how, what’s to remember?
a dream.
time to wake up. standing in the puddle, legs chapped. dance.
the
telephone ringing the night out. now the Christ is banging the bell. the
Christ. the
bell. my Christ,
the bell. sledgehammers on concrete, a small river gurgles. the bedstead
sinks in
concrete. up to his arse, the actor. you heard. third degree burns. that’ll
teach the
ignorant
git. there was a monk standing by the gate post. see the monk, the black monk
standing by
the gate post, by the river; the sewage farm tomatoes, a dog’s skeleton -
lurcher -
railway switch, the shotgun, that was never a ghost; the monk by the gatepost,
the black
monk standing by the gate post, that one, that one was as real as a bluebell.
hello?
hello? no-one. nothing. leave the phone off the hook. let it ring. at this time
of the
night, sidi
bou said, everybody’s out. go home and wait.
on the
train people read newspapers. it is the dead of night I miss you in. the dead
of
night.
whisper. look out of love. I saw you on the television. I saw you. it was
snowing.
man falls
over, enthusiast dies, man with wart in kissing bid. the train piles east.
coming
back to suffolk , everything is
rehearsed. it’s red. the empty rain. the red the lead, the lead
red rain.
in my heart the rain sings a distant song of melancholy redemption banging hot against
the burning light that does not warm the blackening stars and such. when I
pray, coincidences happen. stop. when I don’t pray – they don’t happen as much.
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